Archive for 'Language'

Yalla! Let’s Boost Arabic e-Content!

Posted on 14. May, 2012 by in Arabic Language, Culture, Current Affairs, Language, Vocabulary

It was about time that some of us, Arabic speakers, took an initiative to boost online Arabic content!

After the recent decision of launching a “Center of Excellence for Arabic Language” in the UAE, around 400 Emirati volunteers announced that they will take part in editing a new global glossary that aims to standardize Arabic definitions of online e-terms.

“The glossary will break a big barrier because many users resort to combining English terminology with the Arabic text, so we want to change that and introduce the first Arabic technology and social media glossary,” said co-founder of Taghreedat Sami Mubarak to Gulf News, who emphasised that the Arabic language constitutes only 2% of online content.

Taghreedat plans to introduce the first Arabic Tech/Web 2.0 Dictionary, as well as a standard list that can be used among Arab speakers worldwide, irrespective of their local dialect.

We too have emphasized, here on the Transparent Language Arabic Blog, the need to promote Arabic online, especially through social media such as Facebook and Twitter (Check our previous posts: “Top 100+ Must-Know Arabic Words for Facebook” and “New “Arabic Twitter” To Bring “Arab Spring 2.0″?“)

The Gulf News article cites some entry words that will be included in the new online مُعجـــــم (lexicon): phishing, spam, twittering and re-tweets.

It does not mention, however, that online resources such as ويكيبيــــــــــديــــــــــا (Arabic Wikipedia) already contain many Arabic equivalents of such terms.

If you go for example to the English Wikipedia article of “Phishing“, you will notice on the left of the page a panel containing links to the equivalent Wikipedia articles written in other languages, including Arabic.

Thus, the equivalent Arabic term for “phishing” is “التَّصَيُّــــــــــد“, meaning “preying“, which comes from the Arabic trilateral root “صيــــــد“, meaning “hunting.”

An early example of التَّصَيُّــــــــــد (Phishing) in Arabic: “It looked like an email translated through Babblefish [Yahoo! Babel Fish actually does not offer Arabic translation, but Google Translate does.] This was most likely done by cyber criminals who do not understand the language. As the bad guys begin to exhaust the English speaking populations I’m sure they will start targeting emerging countries such as the Middle-East. I’m quite sure over time they will polish and improve their attacks on the Arabic community, just as we have seen here in the West.” Read more about it here

With that being said, not all English Wikipedia articles have an Arabic counterpart; either because the English article is often not linked to the Arabic one, or simply because no one has entered an Arabic equivalent in the first place.

The Gulf News article says that “Taghreedat’s other projects include increasing the number of Arabic articles in Wikipedia since there are only 154,000 articles, as well as in ويكــــي الاقتبــــــــــاس (Wikiquotes) that has only 540 Arabic quotes.”

Hence the urgent need of launching such a standardized online dictionary.

Mid_384_p_104__0004

“مجلة مجمـــع اللغة العربيــــــة بدمشــــق” (“Magazine of the Arab Academy of Damascus”), the official publication of the veteran of all Arabic language academies, which traces its foundation to 1919

But whoever says “standardized” and “Arabic“, ought to immediately think of مجـــــــامع اللغة العربيـــــــــة (Arabic Language Academies), which don’t seem to be involved with the new online initiative—or at least not as of yet.

These academies, such as their veteran مجمع اللغـــــة العربيــــــة بدمشـــــق (The Arab Academy of Damascus), whose official website warns its visitors: “ما يزال موقع مجمع اللغة العربية في مرحلة التطوير” (“The Arab Academy website is still under development”), have often come under sharp criticism for not coordinating enough their activities, and for not coming up with a unified glossary of new Arabic terms.
These academies have also been chastised for the high متوسِّــــــــــط العمــــــــر (average age) of their members, who are not always fully at ease with the new terminology and concepts related to such cutting-edge technologies as Web 2.0, أمن الحاســـــوب (cyber security), and خدمات الشبكــــــة الاجتماعيــــــة (social network services), although their knowledge of the language remains essential for forging Arabic neologisms.

Speaking of the projected online dictionary, co-founder of Taghreedat Mina Nagy Michel Takla noted that “the main idea is for it to be useful for all online users, and that the glossary will be split into the sections of social media and cyber security.”

Taghreedat has “relied on the participation of approximately 2,500 volunteers from 28 different countries, although the numbers constantly increases with each day.”

M. Takla also stressed that the project will be launched soon, and that his company aims to make it available as an online application obtained though التحميــــــل المجَّـــــــانـــــي (free download.)

So far, the website WordReference seems to be the best Arabic/English dictionary available online, although it is still in مرحلــــة تجريبيـــــــة (testing phase.)

Expatriation and Nostalgia

Posted on 13. May, 2012 by in Arabic Language, art, Culture, Grammar, History, Language, Literature, Pronunciation, Vocabulary

       Yes, our blog today is about these sad feelings; expatrriation and nostalgia, experienced by the great and famous Prince of Poets أمــيـــرُ الــشــُــعــــراء in the Modern Arabic Literature. Ahmad Shawqi أحــمـــد شـــوقــــي wrote this patriotic poem قــصــيــدة وطــنــيـــة  in his exile الــمــنــفــى in Andalusia الأنــدلــُــس ; (now Southern Spain) during the First World War. In exile, Shawqi felt as if he has lost his freedom and was deprived from his homeland and people.

      I will present ovly a part from a long poem called the “Seeniyah الــســيــنــيـــــة “. Each line in the poem ends in the sound / letter س /siin/ that is why it is called ‘Seeniyah’. The poem is similar to another poem of an earlier great Arab Poet; Al-Buh’tory الــبــُــحــْـــتـــُـــريّ .

       The part that we will read today deals with three main ideas:

  • Remembering and longing to the beloved home country and the happy times the poet had spent back there when he was young.
  • Complaining and speaking to the ship as it was the usual means of transport that could take him (the poet) home.
  • Stating and confirming his (the poet’s) eternal love to his country wherever he goes; even in heaven. 

     Now let’s read the part and hope that my humble translation will help you get the images, ideas and feelings of the poet. Remember that in Classical Arabic (Fus’ha) poetry, the line consists of two halves. At the beginning of the poem, the poet is speaking to some two imaginary friends in the dual number.

 Expatriation and Nostagia  غــــُــــربــــَـــــةٌ و حـــَــــنــيــــــن

 اِخــْــتــِــلافُ الــنــَّــهــَــارِ و الـلـيــْــل يــُــنــْــســِــى            اِذكــُــرَا لــِـىَ الــصــِّــبــَــا و أيــَّــامَ أُنــْــســِــي

Day and night make one forget               So, tell me about my early days

وَ صـــِــفـــَــا لـِــى مــُــلاوَةً مــــِــن شــَــــبــَــاب                 صـــُــــوّرَت مـِــن تــَــصــَــــوّرَاتٍ  و  مـــَـــسِ

And describe that period of my youth           that was shaped by imagination

عــَــصــَــفــَــت كـالــصـَّــبــَــا الـلّــعــُــوب و مــَــرّت             ســِــــنـــَــــة حــُــلــْــوَة و لـــَـــذَّةَ خــِـــلـــْــــس

Blew like the playful Saba (wind) and gone   

Like a sweet drowse and a quick pleasure

و ســَــلا مــِــصـْــرَ هــَــلْ ســَــلا الــقــَــلــبُ عـنــهــا          أو أســَـى جــُـــرْحـَـــهُ الــزَّمـــَــانُ الــمــُــؤَســِّـــي

And thou (dual) shalt ask Egypt; Has the heart forgotten Her?    

Or has Time cured its (the heart’s) wound?

كــُــلــّــمــَــا مــَــرَّت الـلــيــَــالــِــى عــَـــلـيـْــهِ              رقَّ , و الــعــَــهــْـــدُ فـى الـلـيــَـــالــِــى تــُــقــَــســِّــي

Whenever nights pass, it gets delicate          Though nights make the heart cruel

مــُـــســْــتــطــارٌ إذا الـْـبــَــوَاخــِــرُ رنـــَّـــت             أوّلَ الـلــيــْــلِ أوْ عــَــوَت بـَــعــْــدَ جــَـــــــــرس

Turning mad if the ships honked        At the early night or howled after the bell

رَاهــِــبٌ فـِـى الـضـُّــلــُـوعِ لـِـلــسـُــفــْــنِِ فــَــطــْــنٌ             كــُــلــّــمــَــا ثـــُــرنَ , شــَـــاعــَـهــُــنّ بــِــنــَــقــْــس

Like a priest in the chest, well-aware of the ships   

When they (ships) move, it (the heart) saw them off with beating

 يــَــا ابـْــنــَــةَ الــيــَــــمِّ مــَــا أبــُــوكِ بــَــخــِــيـــلٌ          مــَــالــَــهُ مــُــولــِــعــَـــاً بــِــمــَــنــْــعٍ و حــَــبــس

O, daughter of the sea, Your father is not tight

Why then is he fond of prevention and imprisonment?

أحــَــــرَامً عــَــلــى بــَــلابــِــــلــِــــــهِ الــــدَّوحُ              حــَــلالٌ لــِـلــطــَّــيــْـــرِ مــِــن كــُــلّ جــِــنــْــسِ

Is it forbidden for its birds to sing     While it is allowed to all other species ?

كــُـــــــلُّ دَارٍ أحــــَــــــقُّ بـــالأهــــْـــــــــلِِ إلا              فــِــى خــَــبــيــثٍ مــِــن الـْــمــَــذَاهــِــــبِ رجــْـــــس

Every home is a right for its people      Except in bad and mean ideology

نـــَــفــَــســِــي مــِــرجــَــلٌ و قــَــلــْــبــِـــى شــِــراعٌ            بــِـــهـــمــَـــا فــِــى الــدُّمــُــوعِ ســِـــيــرى و أرســِـــي

My breath is fuel, my heart is a sail       

With them (both) you sail in tears and come to shore

و اِجــْـعــَـــلــِــى وَجــْــهـَـــكِ الــفــَــنــَــــارَ و مــَـجـــراك        يـــَـــدَ الــثـــَّــغـــْـــر بـَــيــْــنَ رَمــْــــلٍ وَ مــَــكــْــس

 And make the Fanar (Lighthouse of Alexandria) your destination

And the Thaghr (port) between Raml (suburb) and Max (suburb) your stream

وَطـَــنـِــي لــَـوْ شــُـغــِـلــتُ بــِـالــخــُــلــْـــدِ عــَــنــْـــهُ         نــَــازَعــَــتــْــنــِــي إلــيـْـهِ فـِـى الــخــُــلــْــدِ نــَــفـْــســِــي

O, my country, if I were to be kept busy by eternity   

My soul would long for it in heaven 

شــَـهــِــدَ الـلــَّــهُ لــَــمْ يـَــغـــِـــبْ عـَــن جــُـــفــُــونــِــى          شـَــخـْــصــُــهُ سـَــاعــَــةً و لـَــمْ يــَــخــْــلُ حــِــسـِّــي

Allah is a witness; it (my country) is never away from my eyes

 And it is never out of my heart.

Listen to the Poem in Arabic on our Arabic Transparent Youtube Channel

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Peace  سلام /Salam/

Mahmoud Mukhtar (1891 – 1934)

Posted on 12. May, 2012 by in Arabic Language, art, Culture, Current Affairs, History, Language, Vocabulary

     Google celebrated the 121st birthday of Mamoud Mukhtar مـحـــمـــــود مــخــتــــــار last Thursday.  Mukhtar was one of the few leading Egyptian sculptors نــَــحــَّــاتــيـــن . He is the maker of the famous Nahdit Misr Statue تــِــمــثــــال نــهــضــــة مِـصـــر (Egypt’s Renaissance Sculpture) and has a museum named after him in Cairo that exhibits his numerous works. His museum مــُــتــحــَــف is a very important destination to all students of arts and sculptures. The museum is also a witness شــَــاهــِــــدto a very important political and historical period ofEgypt’s history. Mukhtar is regarded as the father of the Modern Egyptian Sculpture. His works are distinguished for their realism as they reflect the everyday life or ordinary people in the countryside where he

Nahdat Misr Sculpture

grew up. 

      Mukhtar was born on May 10th 1891 in a small village in Mahalla, Egypt. His father was the Mayor of the village. Mukhtar lived with his grandmother and used to spend most of his time by the canal playing with mud and clay, shaping and making sculptures تــمــاثــيـــــل of the environment around him. Mukhtar moved to live in Cairo in 1902. When he was seventeen, he joined the newly-opened School of Fine Arts مــَــدرســَـــة الــفــُـــنــُـــون الــجــمــيــــلــة . The foreign teachers discovered and admired his talent مــَــوْهــِـــبــَـــــة , so they set a special place for him to practise his art of sculpturing. The patron راعــِــــىof the school;

Al-Khamasin Winds

Prince Youssef Kamal sent Mukhtar on a scholarship toParis to finish his studies.

      Mukhtar lived a life full of success and struggle to put the sculpture craft in a high position in a society that looks at sculptures as an extension اِمــْـــتــِـــــدَاد of paganism الــوَثـــَـــنـــِـــيـــَّـــــة and idolatry عــِـــبـــَــــادَة الأصـــنـــْــــــام . Mukhtar dedicated his talent to serve the patriotic movement in his country at the time. His works reflected the political and social stage when he lived; the renaissance stage, especially at the time of the 1919 Revolution. His art got all the praise ثــنـــَـــاء and

Farmer Women carrying water home

respect إِحـــتـــِـــرَام of the French artists and critics. He also got an enthusiastic support تـــأيــيـــــد from the Egyptian people.

     Mukhtar was the first Egyptian to exhibit an artistic work in an international exhibition مــَــعــْـــرَض دَولــِـــى in Paris. He was the first Egyptian artist to win an award جــَـــائـــِــــزَة from a Parisian Salon when he got the gold medal from the French Artists Annual Exihibiton that is set in the Grand Palais for a small model of the sculpture of Nahdit Misr. A bigger copy was made and set in the biggest square of Cairo. He got another award from the Parisian Salon Exihibition in 1925 for a sculpture of Om Kolthoum أم كلثوم. He was also the first Arab artist to have a sculpture exihibition of his own in Paris in 1930. He was also the

Ibn Al-Balad

 first Arab artist to be welcomed by demonstrations in Alexandria after his return from Europe. His sculpture of the Egyptian leader زعــِــيـــــم ; Saad Zaghloul is still a landmark عــَــلامــَـــة بــَـــارِزة of Alexandria.

      Mukhtar died on March 27, 1934 and in spite of his short life, he left a great and distinguished collection of sculptures. He managed to express his culture ثـــَــــقــــَــــافــــَـــــة and background خـــَـــلْــــفـــِـــيـــّــــة by his special style. He revived the Egyptian artistic traditions تــَــقـــَـــالــِـــيـــد  in all ages and did not forget the modern art experiences. He was and still an honrable figure in the history of the modern Egyptian art. That is why the government built a museum for him and his works and did great efforts to restore his works from France.

The Cheese Seller

The Farmer

 

Farmer Woman

Sadness

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Peace  ســَـــلام /Salam/