![\"Garrison](\"https:\/\/blogs.transparent.com\/english\/wp-content\/uploads\/sites\/31\/2016\/08\/Garrison-Keillor-350x233.jpg\")
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How about a little light verse?<\/p>\n
We compose certain rhymes just for fun.<\/em><\/p>\n Some that won\u2019t be too sad, sober, or glum.<\/em><\/p>\n We just want to demonstrate wit,<\/em><\/p>\n With meaning that isn\u2019t worth spit.<\/em><\/p>\n And so now that it\u2019s writ, I\u2019m done!<\/em><\/p>\n That was a limerick<\/strong>. It is one of the most basic examples of English poetry, and perhaps technically the easiest form to produce. As you can see, it is a humorous poem consisting of five lines, written in a distinctive meter with an equally distinctive rhyming structure (AABBA). The third and fourth lines are also typically shorter than the other three. Many children in the U.S. and Great Britain are introduced to poetry by learning the structure of a limerick, then composing examples of their own.<\/p>\n Of course, not all English language poems rhyme, and most which do are written in the classical iambic <\/strong>meter, particularly iambic pentameter<\/strong>, which was favored by Shakespeare.<\/a> Each line of iambic pentameter has five beats, with the stress coming on every other syllable. Limericks also rhyme, but their structure generally uses anapestic <\/strong>meter \u2013 two unstressed syllables followed by a stressed syllable. This gives a kind of lighter sing-song quality to the poems, often making them easy to remember.<\/p>\n Why this form of poetry is named for a county and town in Ireland<\/strong> is something of a mystery. It\u2019s said that, after a few drinks, every Irishman becomes a poet. So, in all likelihood, Irish pubs became the source for many an anapestic rhyme, including (and maybe especially) in the Mid-West County of Limerick.<\/p>\n While he didn\u2019t create the limerick, 19th<\/sup> century illustrator Edward Lear<\/strong> is credited with popularizing the form. Lear entertained children with what he called his nonsense <\/em>poems and songs, eventually publishing collections which delighted children and adults alike. Here\u2019s an example of Lear\u2019s charming style:<\/p>\n There was a Young Lady whose chin,<\/em> Mark Twain<\/strong>, the famed American author and humorist, was very fond of limericks. So, too, were Rudyard Kipling<\/strong>, T.S. Eliot<\/strong>, and James Joyce<\/strong>. Science fiction author Isaac Asimov<\/strong> wrote and collected volumes of bawdy limericks. They\u2019re not just for kids!<\/p>\n Racy, often vulgar, limericks have been popular for well over a century. They were told over drinks at pubs, and in vaudeville and burlesque shows. Limericks could entertain the working classes with clever, ribald word play and never be recognized as poetry. Radio host Garrison Keillor<\/a> recently said that, as a 12 year old boy, he heard the notorious verse of The Man from Nantucket<\/em> and could not stop laughing. (I’ll leave it to you to find that particular limerick.) Keillor is a master of the limerick, and recited many on his radio show, A Prairie Home Companion<\/strong>, often seemingly spontaneously. Here\u2019s an example of a Keillor limerick:<\/p>\n There was a young fellow of Reno The limerick may not be regarded as a high art form, but a good one is memorable, entertaining, and can inspire people of all ages to write more. Go ahead \u2013 try writing one now!<\/p>\n
\nResembled the point of a pin;
\nSo she had it made sharp,
\nAnd purchased a harp,
\nAnd played several tunes with her chin.\u00a0<\/em><\/p>\n
\nWho lost his shirt in the casino,
\nAnd the kitchen sink
\nAnd most of his drink
\nExcept for a small maraschino.<\/em><\/p>\n