{"id":4677,"date":"2011-03-31T22:19:27","date_gmt":"2011-03-31T22:19:27","guid":{"rendered":"https:\/\/blogs.transparent.com\/french\/?p=4677"},"modified":"2017-10-19T13:08:14","modified_gmt":"2017-10-19T11:08:14","slug":"jacques-brel-vs-colonel-gaddafi-zangra-meets-zenga-zenga","status":"publish","type":"post","link":"https:\/\/blogs.transparent.com\/french\/jacques-brel-vs-colonel-gaddafi-zangra-meets-zenga-zenga\/","title":{"rendered":"Jacques Brel vs. Colonel Gaddafi: Zangra Meets Zenga Zenga"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>IF <\/strong>someone told you that <strong>Colonel Gaddafi<\/strong>&#8216;s life-long vocation as a deeply confused\u00a0<strong><em>dictateur<\/em><\/strong> (dictator) traced back its origin to the military career of a <strong>World War II fascist foot soldier<\/strong>, whose mission was to resume the century-old <strong>Italian occupation<\/strong> of\u00a0<em><strong>la Lybie<\/strong><\/em>, you probably would wonder how that could be the case<strong>.<\/strong><\/p>\n<p style=\"text-align: left;\">But what if, in addition to that, the so-far unsuspected intricacies of this<strong><em> histoire <\/em><\/strong>(story)\u00a0went back even further in time&#8212;much, much further in time<strong>?<\/strong><\/p>\n<p style=\"text-align: left;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.librairiepantoute.com\/img\/couvertures_300\/2266149849.jpg\" alt=\"\" width=\"258\" height=\"423\" \/><br \/>\n<\/strong><\/p>\n<p style=\"text-align: left;\">In order to piece up this <em><strong>petit puzzle<\/strong><\/em>, involving as a key figure\u00a0<em><strong>un<\/strong> <strong>personnage<\/strong><\/em> (a character) that was until recently one of the\u00a0most intimate\u00a0<em><strong>copains<\/strong><\/em> (buddies) of\u00a0&#8220;scandal-prone&#8221; billionaire-turned-Italian PM<strong>\u00a0Silvio Berlusconi<\/strong> (among other powerful &#8220;<em><strong>notables<\/strong><\/em>&#8221; of this world, of course), let us first go back together several decades ago:<\/p>\n<p style=\"text-align: left;\">Starting with <strong><em>l&#8217;Italie<\/em><\/strong><em>.<\/em><\/p>\n<p style=\"text-align: left;\">It was barely one year after the outbreak of <strong><em>la <em>Deuxi\u00e8me <\/em> Guerre Mondiale <\/em><\/strong>(the Second World War) when Italian writer and journalist\u00a0<strong>Dino Buzzati<\/strong> published what was to become his most successful work, &#8220;<em><strong>Il deserto dei Tartari<\/strong><\/em><strong>&#8221; (&#8220;The Desert of the Tartars.&#8221;)<\/strong><\/p>\n<p style=\"text-align: left;\">This intriguing\u00a0<strong><em>roman <\/em><\/strong>(novel), faithfully translated into French nine years later as &#8220;<strong><em><a href=\"http:\/\/www.amazon.fr\/d%C3%A9sert-Tartares-Dino-Buzzati\/dp\/2266149849\/\">le d\u00e9sert des Tartares<\/a><\/em><\/strong>&#8220;,\u00a0and brought to the Italian<strong><em> grand \u00e9cran <\/em><\/strong>(big screen) under the same title in <strong>1976<\/strong>, tells the ostensibly Kafkaesque story of a young Italian officer, <strong>Giovanni Drogo<\/strong>, who is dispatched by his military superiors to <strong><em>le d\u00e9sert <\/em><\/strong>(the desert) in order to safeguard the old<strong><em> fort Bastiani <\/em><\/strong>against a possible incursion of a little-known &#8220;<strong>Tartar army<\/strong>.&#8221;<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"The Desert of the Tartars\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UCk0wYDIR9w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left;\">&#8220;The Desert of the Tartars&#8221;, <em>le film italien <\/em>(the Italian movie), gathered on the same set some of the most famous international names in <em>Cin\u00e9ma<\/em>: Some French, like Jacques Perrin, Philippe Noiret, Jean-Louis Trintignant, and others, like Vittorio Gassman (the Italian &#8220;Scent of a Woman&#8221;), and the recently naturalized French citizen, Swedish-born actor, Max von Sydow (&#8220;Father Merrin&#8221;, of &#8220;The Exorcist&#8221; fame)<\/p>\n<p style=\"text-align: left;\">* * *<\/p>\n<p style=\"text-align: left;\">As the <a href=\"https:\/\/blogs.transparent.com\/french\/top-chrono-les-unites-du-temps-time-units\/\">hours, the days, the years<\/a> went by, and in a long wait that is strikingly reminiscent of <strong>Samuel Beckett<\/strong>&#8216;s &#8220;<strong><em>En attendant Godot<\/em>&#8221; <\/strong>(&#8220;Waiting for Godot&#8221;), the youth and ambition of the Italian lieutenant slowly <strong><em>c\u00e9d\u00e8rent<\/em><\/strong>\u00a0<em><strong>le pas<\/strong><\/em> (gave way) to old age, leading him inevitably to deep and bitter disenchantment towards life and the world&#8230;<\/p>\n<p style=\"text-align: left;\">Painfully captive in his own fort, which turned bit by bit into a virtual <strong>bunker<\/strong>, surrounded by the wilderness of a <strong><em>gigantesque <\/em><\/strong>(gigantic) desert, and waiting for the deliverance of an elusive\u00a0<strong><em>moment de gloire <\/em><\/strong>(moment of glory)\u00a0that would confer some sense and purpose to his existence:\u00a0The description and traits of <strong>Buzatti&#8217;s lieutenant Drogo<\/strong> fits in more than one subtle way with the <em><strong>personnalit\u00e9 <\/strong><\/em>of a notoriously infamous colonel: The one known in the Arab world as &#8220;<em><strong>Madjnoun Libya<\/strong><\/em>&#8221; (Arabic for &#8220;<strong>the Madman of Libya<\/strong>.&#8221;)<\/p>\n<p style=\"text-align: left;\">And how about the novel&#8217;s desert?<\/p>\n<p style=\"text-align: left;\">It may very well depict the vast <strong>Libyan Sahara<\/strong>. That is, as history reminds us, the same desert, the same dunes, where, one may note in yet another cruelly ironic coincidence, <strong>thousands of Italian troops<\/strong>\u00a0spent many long years in a doomed colonial enterprise, which started exactly a century ago, in <strong>1911<\/strong>&#8230;<\/p>\n<p style=\"text-align: left;\">* * *<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"Gaddafi-Zenga Song-No girl edit version (Noy Alooshe Remix)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/6GcUutnU2gk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left;\">\u00a0Isn&#8217;t it high time for <em>ce\u00a0fou et foutu colonel <\/em>(this crazy and&#8230; &#8220;bloody&#8221; colonel) <em>\u00e0-la-<\/em>Dr. Mabuse to finally step down, to give a break <em>bien m<em>\u00e9<\/em>rit\u00e9 <\/em>(well-deserved) to his people, and maybe take a long-due one-way trip out of the country: Not to Jeddah this time, the fleeing destination of choice for Tunisian and Egyptian former neighbors and &#8220;partners in crime&#8221;, Ben Ali and Mubarak respectively, but to Tel Aviv (thus emulating his ex-foe, Anwar as-Sadat, who didn&#8217;t quite &#8220;make it back&#8221; from that trip, as it turned out), where he could eventually team up in a music band with Israeli &#8220;Dj Noy Alooshe&#8221;, the author of the new hit remix: &#8220;Zenga Zenga&#8221;!<\/p>\n<p style=\"text-align: left;\">* * *<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"Jacques Brel - Zangra\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/b5cPA5vuCLo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><strong>Jacques Brel, in a rare &#8220;Gaddafi-<em>esque<\/em>&#8221; moment, sings &#8220;Zangra&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><strong>* Jacques Brel&#8217;s &#8220;Zangra&#8221; and Gaddafi&#8217;s &#8220;Zenga Zenga&#8221;:<\/strong><\/span><\/p>\n<p style=\"text-align: left;\">Speaking of &#8220;<em><strong>Zenga Zenga<\/strong><\/em>&#8220;: The title of the\u00a0<strong>Gaddafi hit remix <\/strong>that went recently &#8220;viral&#8221; on\u00a0<strong>Facebook<\/strong> and\u00a0<strong>Youtube<\/strong>,\u00a0&#8220;<strong><em>Zenga Zenga<\/em>&#8220;,<\/strong> tanslates &#8220;<strong>alleyway by alleyway<\/strong>&#8221; in Arabic.<\/p>\n<p style=\"text-align: left;\">Alleyways which the barking-mad dictator vowed to &#8220;clean up&#8221;&#8212;not only &#8220;<em><strong><a href=\"http:\/\/www.newsnours.com\/2011\/03\/7-raisons-pour-lesquelles-la-guerre-au-karcher-de-sarkozy-en-libye-va-mal-finir.html\/\">au <em>K\u00e4rcher<\/em><\/a><\/strong><\/em>&#8220;, as would have eloquently put it yet another one of his ex-buddies, <strong>Nicolas Sarkozy<\/strong>.<\/p>\n<p style=\"text-align: left;\">At any rate, one can easily notice the title&#8217;s vivid resemblance, both phonetically and thematically,\u00a0with <strong>Jacques Brel<\/strong>&#8216;s song &#8220;<strong>Zangra<\/strong>&#8220;: A song that was inspired to the Belgian singer -hold your breath and get ready to hear this&#8230;- by none other than <strong>Dino Buzzati<\/strong>, in his very same novel\u00a0&#8220;<em><strong>Le d<em><strong>\u00e9<\/strong><\/em>sert des Tartares<\/strong><\/em>&#8221; <em><strong>!<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">But perhaps the most telling and &#8220;prophetic&#8221; of all is the fact that, at some point of the song,\u00a0<strong><a href=\"https:\/\/blogs.transparent.com\/french\/jacques-brel-les-filles-et-les-chiens-girls-and-dogs\/\">Brel<\/a><\/strong>&#8216;s mysterious protagonist, <strong>Zangra<\/strong>, makes the following revelation about himself:<\/p>\n<p style=\"text-align: left; padding-left: 60px;\">&#8220;<em><strong>Je m\u2019appelle\u00a0Zangra, je suis vieux colonel<\/strong><\/em>&#8221; (&#8220;My name is Zangra, I am an old colonel&#8221;), right before the moment he realizes that &#8220;<em><strong>l\u2019ennemi est l\u00e0, je ne serai pas h\u00e9ros<\/strong><\/em>&#8221; (&#8220;The enemy is here, I shall not be a hero&#8230;&#8221;)<\/p>\n<p style=\"text-align: left;\">One thing is certain though, the majority of\u00a0<strong><em>le peuple de la Lybie <\/em><\/strong>(the people of Lybia)\u00a0<strong><em>attend ce moment cathartique avec impatience <\/em><\/strong>(waits for that cathartic moment with great impatience.)<\/p>\n<p style=\"text-align: left;\">* * *<\/p>\n<p style=\"text-align: left;\">\n<p style=\"text-align: left;\"><strong>Was the name of Brel&#8217;s &#8220;Zangra&#8221; based on <em>Giuseppe Zangara<\/em>, the Italian-born American who attempted to put an early end to the life of the great American President FDR back in 1933? <\/strong><\/p>\n<p style=\"text-align: left;\">* * *<\/p>\n<p style=\"text-align: left;\">For those who wish to pursue even further the possible origins of, and veiled allusions to, the names &#8220;<strong>Zangra<\/strong>&#8220;, &#8220;<strong>Zenga<\/strong>&#8220;, &#8220;<strong>Zanga<\/strong>&#8220;, or &#8220;<strong>Zangar<\/strong>&#8220;, they would perhaps identify an interesting parallel between the ongoing standoff &#8220;<em><strong>g<em><strong>\u00e9<\/strong><\/em>opolitique<\/strong><\/em>&#8221; opposing\u00a0<strong>China, Iran<\/strong>, and the <strong>Western powers<\/strong>\u00a0on <strong><em>le continent africain <\/em><\/strong>(Lybia being but one of the numerous &#8220;<strong><em><em>th\u00e9\u00e2tres de combat<\/em><\/em><\/strong>&#8221; set on the &#8220;African chessboard&#8221;, so to speak) and an age-old &#8220;<strong>Zoroastrian myth<\/strong>&#8220;, famously recounted by the Persian poet <strong>Ferdowsi <\/strong>more than a thousand years ago, in his epic &#8220;<em><strong>Shahnameh<\/strong><\/em>&#8221; (&#8220;The Book of Kings&#8221; in Persian.)<\/p>\n<p style=\"text-align: left;\">The name &#8220;Zanga&#8221; is mentioned in Ferdowsi&#8217;s &#8220;Shahnameh&#8221;, which, according to <a href=\"http:\/\/www.angelfire.com\/rnb\/bashiri\/Farr\/Siyavosh.html\/\">the remarkable account of Professor Iraj Bashiri<\/a>,\u00a0alludes to a <em>grande\u00a0confrontation <\/em>between three main <em>superpuissances <\/em>(that is, what we would call in today&#8217;s terms &#8220;superpowers&#8221;):<\/p>\n<p style=\"text-align: left;\">&#8211;\u00a0The West (referred to in the Persian epic as &#8220;<em>Salm<\/em>&#8220;)<\/p>\n<p style=\"text-align: left;\">&#8211; China (given the name of &#8220;<em>Turan<\/em>&#8220;)<\/p>\n<p style=\"text-align: left;\">&#8211; And finally Iran (referred to as &#8220;<em>Iraj<\/em>&#8220;)<\/p>\n<p style=\"text-align: left;\">And maybe it is no mere coincidence that it was precisely the latter country, namely Iran, which was retained as the location of choice to capture the quasi-surreal scenes of the above-mentioned movie &#8220;<em>Les d<em>\u00e9<\/em>sert des Tartares<\/em>&#8220;,\u00a0in 1976<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IF someone told you that Colonel Gaddafi&#8216;s life-long vocation as a deeply confused\u00a0dictateur (dictator) traced back its origin to the military career of a World War II fascist foot soldier, whose mission was to resume the century-old Italian occupation of\u00a0la Lybie, you probably would wonder how that could be the case. But what if, in&hellip;<\/p>\n<p class=\"post-item__readmore\"><a class=\"btn btn--md\" href=\"https:\/\/blogs.transparent.com\/french\/jacques-brel-vs-colonel-gaddafi-zangra-meets-zenga-zenga\/\">Continue Reading<\/a><\/p>","protected":false},"author":49,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":""},"categories":[108,13],"tags":[24554,24567,24534,1877,24564,24400,24528,24551,2006,24536,24527,24532,24558,24556,7945,24549,257,24547,24566,24572,24537,24535,24565,24533,24578,24575,10164,9531,24530,24520,24540,24542,24531,24529,24555,24410,24553,24546,24552,24401,525,24541,24579,24548,24544,24526,24576,24538,24539,24557,24574,24545,24570,24559,24577,24543,24550,3670,10182,24562,24561,24573],"class_list":["post-4677","post","type-post","status-publish","hentry","category-music","category-vocabulary","tag-24554","tag-24567","tag-24534","tag-africa","tag-au-karcher","tag-ben-ali","tag-berlusconi","tag-bunker","tag-china","tag-colonel-gaddafi","tag-dictateur","tag-dino-buzzati","tag-dj-noy-alooshe","tag-dr-mabuse","tag-egypt","tag-en-attendant-godot","tag-facebook","tag-father-merrin","tag-fdr","tag-ferdowsi","tag-fort-bastiani","tag-giovani-drogo","tag-giuseppe-zangara","tag-grand-ecran","tag-iraj","tag-iraj-bashiri","tag-iran","tag-italie","tag-italy","tag-jacques-brel","tag-jacques-perrin","tag-jean-louis-trintignant","tag-le-desert-des-tartares","tag-lybia","tag-lybian-sahara","tag-lybie","tag-madjnoun-lybia","tag-max-von-sydow","tag-moment-de-gloire","tag-mubarak","tag-nicolas-sarkozy","tag-philippe-noiret","tag-salm","tag-samuel-beckett","tag-scent-of-a-woman","tag-shahnameh","tag-superpuissance","tag-tartar","tag-tartares","tag-tel-aviv","tag-the-book-of-kings","tag-the-exorcist","tag-the-west","tag-tunisia","tag-turan","tag-vittorio-gassman","tag-waiting-for-godot","tag-wwii","tag-youtube","tag-zangra","tag-zenga-zenga","tag-zoroastrian-myth"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/posts\/4677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/comments?post=4677"}],"version-history":[{"count":250,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/posts\/4677\/revisions"}],"predecessor-version":[{"id":28252,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/posts\/4677\/revisions\/28252"}],"wp:attachment":[{"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/media?parent=4677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/categories?post=4677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.transparent.com\/french\/wp-json\/wp\/v2\/tags?post=4677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}