{"id":1627,"date":"2013-03-27T17:33:02","date_gmt":"2013-03-27T17:33:02","guid":{"rendered":"https:\/\/blogs.transparent.com\/thai\/?p=1627"},"modified":"2021-08-05T21:02:54","modified_gmt":"2021-08-05T21:02:54","slug":"how-are-thai-musical-notes-written-part-3","status":"publish","type":"post","link":"https:\/\/blogs.transparent.com\/thai\/how-are-thai-musical-notes-written-part-3\/","title":{"rendered":"How are Thai musical notes written? part 3"},"content":{"rendered":"<p>Given the previously mentioned issues with Thai sheet music, I asked around friends who were more or less Thai traditional music experts to get some guidance. It turns out there is sheet music which has slightly more detail out there.<span style=\"font-size: 13px;line-height: 19px\">\u00a0<\/span><\/p>\n<p>A perfect example can be found here:<\/p>\n<p><a title=\"http:\/\/www.sakamula.com\/note.html\" href=\"http:\/\/www.sakamula.com\/note.html\">http:\/\/www.sakamula.com\/note.html<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>So what do all those dashes and vertical lines mean?<\/p>\n<p><span style=\"font-size: 13px;line-height: 19px\">Thai music can be divided up into 8 rooms (<strong>\u0e2b\u0e49\u0e2d\u0e07<\/strong> hawng3), and in each room there are four notes (<strong>\u0e42\u0e19\u0e49\u0e15<\/strong> not4). For example:<\/span><\/p>\n<p>|\u0e14\u0e14\u0e21\u0e0b | &#8211; \u0e0b\u0e0b\u0e25 | \u0e17\u0e14\u0e23\u0e21 | &#8211; &#8211; &#8211; &#8211; | \u0e21\u0e23\u0e14\u0e25 | \u0e0b\u0e25\u0e14\u0e21 | \u0e14\u0e23\u0e14\u0e14 | &#8211; \u0e14\u0e14\u0e14 |<\/p>\n<p>&nbsp;<\/p>\n<p>A dash symbol (-) can have two meanings. If it is followed right after a note, such as \u0e0b- and \u0e21- in the above example, it means you should extend that note twice as long. Instead of hitting it once, you hit it several times in rapid style. This is called a graw1 <strong>\u0e01\u0e23\u0e2d<\/strong>. \u00a0This is regardless of the (-) being in the following room. In this video you can hear both single notes and graw\u2019d notes:<\/p>\n<p><iframe loading=\"lazy\" title=\"\u0e40\u0e1e\u0e25\u0e07\u0e25\u0e32\u0e27\u0e25\u0e48\u0e2d\u0e07\u0e19\u0e48\u0e32\u0e19 \u0e23\u0e30\u0e19\u0e32\u0e14\u0e40\u0e2d\u0e01\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/3wSJjQfTxk0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 13px;line-height: 19px\">If you see multiple dashes together, it\u2019s a pause.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>So how does the ching conductor come into play? Well, there are three different styles \u2013 each appropriate for different types of traditional Thai music. Each style is defined by the number of levels, or <strong>\u0e0a\u0e31\u0e49\u0e19<\/strong> chan4.<\/p>\n<p>&nbsp;<\/p>\n<p>3 Levels <strong>\u0e2a\u0e32\u0e21\u0e0a\u0e31\u0e49\u0e19<\/strong> \u2013 The slowest <strong>\u0e0a\u0e49\u0e32\u0e2a\u0e38\u0e14<\/strong>.<\/p>\n<p>With the first style, the ching beats at the end of every other room as so:<\/p>\n<p>| &#8211; &#8211; &#8211; &#8211; | &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07 | &#8211; &#8211; &#8211; &#8211; | &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a | &#8211; &#8211; &#8211; &#8211; | &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07 | &#8211; &#8211; &#8211; &#8211; | &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a |<\/p>\n<p>&nbsp;<\/p>\n<p>4 Levels <strong>\u0e2a\u0e35\u0e48<\/strong><strong>\u0e0a\u0e31\u0e49\u0e19<\/strong> \u2013 Medium speed <strong>\u0e40\u0e23\u0e47\u0e27\u0e02\u0e36\u0e49\u0e19<\/strong>.<\/p>\n<p>With this style, the ching beats at the end of each room as so:<\/p>\n<p>| &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07| &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a| &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07| &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a| &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07| &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a| &#8211; &#8211; &#8211; \u0e09\u0e34\u0e48\u0e07| &#8211; &#8211; &#8211; \u0e09\u0e31\u0e1a|<\/p>\n<p>&nbsp;<\/p>\n<p>1 Level <strong>\u0e2b\u0e19\u0e36\u0e48\u0e07<\/strong><strong>\u0e0a\u0e31\u0e49\u0e19<\/strong> (<strong>\u0e0a\u0e31\u0e49\u0e19\u0e40\u0e14\u0e35\u0e22\u0e27<\/strong>)\u2013 Fastest speed <strong>\u0e40\u0e23\u0e47\u0e27\u0e2a\u0e38\u0e14<\/strong>.<\/p>\n<p>This style is meant for the fastest of music and has the ching beating with every other note:<\/p>\n<p>| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a| &#8211; \u0e09\u0e34\u0e48\u0e07 &#8211; \u0e09\u0e31\u0e1a|<\/p>\n<p>&nbsp;<\/p>\n<p>A section of music is called a tawn3 \u0e17\u0e48\u0e2d\u0e19. Music is often divided into sections when certain parts are repeated (like the chorus, for example).<\/p>\n<p><span style=\"font-size: 13px;line-height: 19px\">\u00a0<\/span><\/p>\n<p>A practice sentence for the more advanced learners:<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 13px;line-height: 19px\">\u00a0<\/span><span style=\"font-size: 13px;line-height: 19px\">Thai music has 8 rooms, and 4 notes per room.<\/span><\/p>\n<p>Don1dtree1 thai1 mee1 baed2 hawng3 hawng3 la4 see2 not4<\/p>\n<p>\u0e14\u0e19\u0e15\u0e23\u0e35\u0e44\u0e17\u0e22\u0e21\u0e35 8 \u0e2b\u0e49\u0e2d\u0e07 \u0e2b\u0e49\u0e2d\u0e07\u0e25\u0e30 4 \u0e42\u0e19\u0e49\u0e15<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Given the previously mentioned issues with Thai sheet music, I asked around friends who were more or less Thai traditional music experts to get some guidance. It turns out there is sheet music which has slightly more detail out there.\u00a0 A perfect example can be found here: http:\/\/www.sakamula.com\/note.html &nbsp; So what do all those dashes&hellip;<\/p>\n<p class=\"post-item__readmore\"><a class=\"btn btn--md\" href=\"https:\/\/blogs.transparent.com\/thai\/how-are-thai-musical-notes-written-part-3\/\">Continue Reading<\/a><\/p>","protected":false},"author":59,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":""},"categories":[10208,3,10341],"tags":[12286,275287,13509,108,275284,275286,10177],"class_list":["post-1627","post","type-post","status-publish","hentry","category-beginner","category-culture","category-intermediate","tag-beat","tag-ching","tag-instrument","tag-music","tag-part","tag-ranaad","tag-thai"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/posts\/1627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/comments?post=1627"}],"version-history":[{"count":9,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/posts\/1627\/revisions"}],"predecessor-version":[{"id":3612,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/posts\/1627\/revisions\/3612"}],"wp:attachment":[{"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/media?parent=1627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/categories?post=1627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.transparent.com\/thai\/wp-json\/wp\/v2\/tags?post=1627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}