Today we’re starting a new series about Brazilian dance forms.
Forró is a type of dance that originated in the Northeast of Brazil, and is also known as arrasta-pé, bate-chinela, fobó, and forrobodó. Danced to the music of the same name, the movements have a variety of influences: indigenous ritual dances, traditional Dutch and Portuguese rhythms, German folk dance, and African hip movements. The dance is frequently peformed at parties and festivals in the Northeast. It is the centerpiece of the São João Festival in particular.
The origin of the name forró is disputed. Historians say that it comes from the Portuguese word forrobodó, which means confusion and disorder. The popular version of the story says that the name came from the English engineers living in Pernambuco in the early 20th century. During that time, the English would give parties with banners stating the festivities were “for all,” and these English words morphed into the Portuguese word forró.
Forró dance comes in two types: forró nordestino and forró universitário. Northern forró is more sensual, with a closer proximity between the partners and more body contact. University forró is more like salsa, with spins, quicker, larger movements, and constantly shifting proximity between the partners.
Check out forró in these two videos, here and here.
Comments:
Lucas:
I’m wondering if anyone can help me with working out the style of forro that is most popular in Rio Grande do Norte ? I’ve heard the names Xote, Pe de Sierra and Arrastape mentioned (forgive my spellings if incorrect!) but I can’t quite pin down which one it is.
Christopher:
I think you are thinking of Xote Lucas, at least I am quite sure that that genre exists… Look at the classic Gonzaga tune ‘Xote das Meninas’
video: http://www.youtube.com/watch?v=yAbUprTzL5Y
abcs,
Christopher
ivanilson bisoi:
muito bom
vanessamoraes:
muito bom